Choruses, Sacred (Mixed voices) with orchestra
Subject Source: Library of Congress Subject Headings
Found in 8 Collections and/or Records:
Collection of predominantly sacred 18th-century vocal music, mostly copied from printed editions in the mid-19th century.
Shelfmark: MS. Mus. c. 592
Extents: 83 Leaves
Dates: mid-19th cent.
Choral compositions by Frederick R. Greenish, 1883-1888, n.d.
Extents: 0.33 Linear metres (3 boxes)
Dates: 1883-1888, n.d.
Full score of Handel's Chandos Anthems, nos. 4 and 5, copied by the younger Richard Goodson, [1700s-1730s].
Shelfmark: MS. Mus. Sch. b. 1
Extents: 1 box
Dates: mid-18th cent.
'The Grand Chant for the 67th Psalm [by] Pelham Humphry [Humfrey]', orchestrated by Sir George T. Smart for the wedding of the Princess Royal and Frederick William of Prussia
Sir George Smart's autograph full score of the orchestral accompaniment for the Gloria to Psalm 67, to a chant in D major by Pelham Humfrey, .
Shelfmark: MS. Mus. b. 15, fol. 109
Extents: 1 leaf
'Corpus Christi Cantata' for voices and orchestra by the Revd S. E. L. Spooner Lillingston, 1908.
Shelfmark: MS. Mus. c. 417
Extents: 268 pages
Sir Arthur Sullivan: 'The Light of the World', oratorio for soloists, chorus and orchestra.
Extents: 0.22 Linear metres (2 volumes)
'Stabat Mater a quattro voci' [Hob. XXIIbis, G minor], by Joseph Haydn, first half of the 19th cent.
Shelfmark: MS. Mus. d. 228
Extents: 182 Leaves
Three settings of the Te Deum and Jubilate in full score, by Henry Purcell, William Croft and George Frederic Handel
Three settings of the Te Deum and Jubilate in full score, by Henry Purcell, William Croft and George Frederic Handel, 1730s.
Shelfmark: MS. Mus. c. 575
Extents: 222 Leaves