Engravings and ephemera related to the early history of photography in Britain, 1840-1950, bulk: 1840-1856

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MS. 22905/3

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Comprises:

The Illustrated London News, Vol. 19, No.525, featuring engravings of the executive committee of the Great Exhibition, from Daguerreotypes by Antoine Claudet, W.E. Kilburn, and Richard Beard, 1851
A page from The Illustrated London News Supplement, featuring an engraving of eleven Ojibway and Potawatomie people, from Daguerreotypes by Antoine Claudet, 1856
A page from the Pictorial Times, featuring an engraving of nine Ojibwe people, from Daguerreotypes by Antoine Claudet, 1856
Eight pages from The Illustrated London News, featuring engravings of Aboriginal people, from Daguerreotypes by W.E. Kilburn, 1850
An engraving of Wellington by William Roffe, after a Daguerreotype by Antoine Claudet, 1852
A coloured engraving of Wellington by John Sartain, after a Daguerreotype by Antoine Claudet, 1852
An engraving of Wellington by Henry Thomas Ryall, after a Daguerreotype by Antoine Claudet, 1852
An engraving of the Temple of Hera at Paestum, from a Daguerreotype by Noël Marie Paymal Lerebours, c.1840
An engraving of Chartres Cathedral, from a Daguerreotype by Noël Marie Paymal Lerebours, c.1840
An engraving of the Temple of Hera at Paestum, from a Daguerreotype by Noël Marie Paymal Lerebours, c.1841
An engraving of the Harem Palace of Mohammed Ali, from a Daguerreotype by Lerebours, with two pages of commentary in French, c.1841
An engraving of St. Paul’s Cathedral overlooking the Thames, from a Daguerreotype by Lerebours, with two pages of commentary in French, c.1841
A modern reproduction of Richard Beard’s trade card, c.1950