'Cantus et baseis dvoes' part (vi) of a set of 7 part-books containing 56 instrumental suites by John Hingeston made by a copyist working under his supervision. Numbering (each suite from 1-20, each movement from 21-84) appears to be mainly his own. Modern numbers are used for reference.

Contents:

1-9: Three-part suites for bass, countertenor and treble with organ [VdGS VII/1-9]. Fantazia and almand, unless otherwise described. The first part of fascicle numbered by Lowe '10':

1. G minor. Present only in i, ii, iv and vii.

2. G minor. Present only in i, ii, iv and vii.

3. G minor. Present only in i, ii, iv and vii.

4. G major. Present only in i, ii, iv and vii.

5. A minor (no. 1 in MS. Mus. Sch. e. 382). Present only in i, ii, iv and vii.

6. Fantazia, Pavan-Almand and Almand in E minor (no. 2 in MS. Mus. Sch. e. 382). Present only in i, ii, iv and vii.

7. G major. Present only in i, ii, iv and vii.

8. D minor. Present only in i, ii, iv and vii.

9. D major. Present only in i, ii, iv and vii.

10-18: Three-part suites for 2 trebles and bass with organ [VdGS VIII/1-9]. Fantazia and almand, unless otherwise described. The latter part of fascicle numbered by Lowe '10':

10. C minor. Present only in i, ii, iv and vii.

11. C minor. Present only in i, ii, iv and vii.

12. C major. Present only in i, ii, iv and vii.

13. D minor. Present only in i, ii, iv and vii.

14. D minor (no. 5 in MS. Mus. Sch. e. 382). Present only in i, ii, iv and vii.

15. D minor (no. 4 in MS. Mus. Sch. e. 382). Present only in i, ii, iv and vii.

16. D major (no. 6 in MS. Mus. Sch. e. 382). Present only in i, ii, iv and vii.

17. Fantazia only in B flat major. Present only in i, ii, iv and vii.

18. B flat major. Present only in i, ii, iv and vii.

19-27: Two-part suites for violin and bass with organ [VdGS I/1-9]. Each suite consists of fantazia, almand and ayre. Numbered by Lowe '9':

19. B flat major (no. 19 in MS. Mus. Sch. e. 382). Present only in i, iv and vii.

20. C minor (no. 20 in MS. Mus. Sch. e. 382). Present only in i, iv and vii.

21. (21-22). C major (no. 21 in MS. Mus. Sch. e. 382). Present only in i, iv and vii.

22. (23-24). G major. Present only in i, iv and vii.

23. (25-26). G major, almand in E minor (no. 22 in MS. Mus. Sch. e. 382). Present only in i, iv and vii.

24. (27-28). A minor (no. 23 in MS. Mus. Sch. e. 382). Present only in i, iv and vii.

25. (29-30). A major (no. 24 in MS. Mus. Sch. e. 382). Present only in i, iv and vii.

26. (31-32). D minor (parts of nos. 25-26 in MS. Mus. Sch. e. 382). Present only in i, iv and vii.

27. (33-34). D major, almand in B minor (no. 27 in MS. Mus. Sch. e. 382).Present only in i, iv and vii.

28-34: Three-parts suites for 2 violins and bass with organ [VdGS II/1-6a]. Fantazia, almand and ayre unless otherwise described. Nos. 28-33 are the same numbers in MS. Mus. Sch. e. 382. Numbered by Lowe '7':

28. (35-36). G minor. Present only in i, ii, iv and vii.

29. (37-38). G major. Present only in i, ii, iv and vii.

30. (39-40). A minor. Present only in i, ii, iv and vii.

31. (41-42). A major. Present only in i, ii, iv and vii.

32. (43-44). D minor. Present only in i, ii, iv and vii.

33. (45-46). D major. Present only in i, ii, iv and vii.

34. Almand and ayre in D major. Present only in i, ii, iv and vii.

35-42: Four-part suites for 2 trebles and 2 basses with organ [VdGS X/1-8]. Each suite consists of fantazia and almand:

35. (47) G minor (no. 13 in MS. Mus. Sch. e. 382). Fols. 18v-19.

36. (48-49). G minor. Fols. 19v-20.

37. (50-51). G minor. Fols. 20v-21.

38. (52). G major. Fols. 21v-22.

39. (53-54). A minor (no. 15 in MS. Mus. Sch. e. 382). Fols. 22v-23.

40. (55). A major (no. 16 in MS. Mus. Sch. e. 382). Fols. 23v-24.

41. (56). D minor (no. 17 in MS. Mus. Sch. e. 382). Fols. 24v-25.

42. (57). D major (no. 18 in MS. Mus. Sch. e. 382). Fols. 25v-26.

43-46: Five-part suites for 2 trebles, 2 contratenors and bass with organ [VdGS XI/1-4]. Fantazia and almand unless otherwise described:

43. (58-59). Fantazia, almand and corante in F major. Published as V. da G. Soc. Supplementary publication no. 35, ed. W.H. Davies, 1967. Present only in i, ii, iii, iv, v and vii.

44. (60-62). Fantazia, pavan, almand and sarabande in G minor. Present only in i, ii, iii, iv, v and vii.

45. (63). A minor. Present only in i, ii, iii, iv, v and vii.

46. (64). C major. Present only in i, ii, iii, iv, v and vii.

47-49: Six-part suites for 2 trebles, countertenor, 'low meane' and 2 basses with organ [VdGS XII/1-3]. Each suite comprises fantazia and almande:

47. (69). A minor. Fols. 29v-30.

48. (70). F major. Fols. 30v-31.

49. (71). D minor. Fols. 31v-32.

50. (74-76) Two-part suite for 1 cornet and sagbutt with organ. Fantazia, almand and ayre in F major. Fols. 35v-36.

51. (77-79) Three-part suite for 2 cornets and sagbutt with organ. Fantazia, almand and ayre in F major. Fols. 36v-37.

52-56: Unaccompanied duos for 2 bass viols [VdGS V, VI/1-4]. All except 52 comprising: Fantasia, 2 almands and corante:

52. (80). Bass and treble. Fantazia, almand and corante in G minor. Published as VdGS Supplementary publication no. 45, ed. W.H. Davies, 1967. Fols. 4v-6.

53. (81). C minor. Published as VdGS Supplementary publication no. 36, ed. W.H. Davies, 1967. Fols. 6v-8v.

54. (82). C major. Fols. 8v-10.

55. (83). D minor. Fols. 10v-12.

56. (84). D major. Fols. 12v-14v.