Works sent for comments 1, 1963-1979

File

MS. Tyson 163

Held in our offsite storage facility

John Emerson: 'Materials for Mozart research: an inventory of the Mozart Nachlass of Alfred Einstein', 1963.
Winton Dean: 'The true 'Carmen'?, [1965].
Grosvenor Cooper: 'Beethoven's use of contrast', 1967.
Georg von Dadelsen: 'Editionsrichtlinien musikalischer Denkmäler und Gesamtausgaben', 1967 (published, 1969).
Nina Judenič: 'Beethoven und die Volksmusik: dargestellt an seinen Streichquartetten', 1970.
Richard Sherr, 'Beethoven to Adolf Martin Schlesinger: a solution to an enigma, [1970].
William Drabkin, 'Towards a catalog of the Beethoven sketches in Paris Bibliothèque Nationale, Dépt. de Musique', 1971.
Daniel N. Leeson and David Whitwell, 'Concerning Mozart's Serenade in B flat for thirteen instruments, K. 370a (361)', [1976/1977].
Charles Timbrell, 'The sources of Beethoven's Opus 111 as an argument against "uniform editorial procedure"', [1977].
Isabelle Putnam Emerson, 'The "new" Mozart work [K. 443]', 1978.
William Kinderman, 'Beethoven's Diabelli variations, op. 120: a prospectus', 1978.
Neal Zaslaw, 'Concerning Mozart's "Paris" symphonies', [1978].
Sieghard Brandenburg, William Drabkin and Douglas Johnson, 'On Beethoven scholars and Beethoven's sketches'; German and English versions, published in 19th-Century Music (1979).
Daniel Leeson and Neal Zaslaw, English translation of an introduction to Work group 17, vol. 2 of Neue Mozart-Ausgabe, 1979.
Essays on Beethoven sketches by various students, probably at Berkeley, [1979].

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MS. Tyson 163

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