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Various compositions 4, 1871-1938, n.d.

MS. Mus. b. 39

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Autograph compositions completed over long periods, with drafts and corrections. Some manuscripts are perhaps pupils' exercises.

  1. (fols. 1-10) '22. August' [12 short pieces for piano]. 1906-1932.
  2. (fols. 11-118) 'Miscellen' [200 short pieces for piano]. 1897-1924.
  3. (fols. 119-142) 'String Quartet No. 6, A major'. Score. 1922-1930.
  4. (fols. 143-148) Fragments for a cello concerto in D major in short score.
  5. (fols. 149-150) Extracts from a string quartet in G major and G minor.
  6. (fol. 151) Unidentified fragments for cello in D major.
  7. (fols. 153-171) Miscellaneous pieces and fragments for piano.
  8. (fol. 173) 'Phantasie I, dedicated to Miss Alice Heymann' with 'Choral' on verso. Juvenile hand?
  9. (fol. 174) 'Abschied vom Walde, v. Eichendorff'. Song (incomplete).
  10. (fols. 175-182) Miscellaneous exercises in counterpoint?
  11. (fol. 183) Harmony excercises.
  12. (fols. 184-185) 'Marsch, für grosses Orchester' in C major. Piano reduction.
  13. (fols. 186-191) 'Der Pilger (Uhland), für Soli, Chor und Orchester' Draft vocal score, 1887.
  14. (fol. 192) 'Sonate' in C minor, for piano (incomplete).
  15. (fols. 193) Fragment of a song (crossed out).
  16. (fols. 194-195) Four short movements for piano.
  17. (fol. 196) Fragment of an orchestral work in full score.
  18. (fols. 197-198) 'Anthem. Psalm 13', for SATB and organ (fragment).
  19. (fol. 199) 'Adagio' in A flat major, for piano (fragment).
  20. (fol. 200) 'Scherzo' in C minor, for piano (fragment).
  21. (fol. 202) Fragment of a piece for violin? and piano.
  22. (fol. 204) 'Scherzo' in E minor ('Assai vivace'), for string quartet (fragment).
  23. (fols. 206-216) 'Ouverture zu Goethes “Götz von Berlichingen”', piano reduction (fragments and sketches).
  24. (fols. 217-219) 'Legende' and 'Intermezzo'[nos. 1 and 2 of 'Drei Stüke', op. 14 for cello and piano]. Cello part only.
  25. (fols. 220-221) 'Andante' [in D major] and 'Rondo' [in G major] for piano trio? (fragments).
  26. (fol. 223) 'Ouverture'. Opening C major chord only, in full score.
  27. (fols. 225-238) Miscellaneous pencil sketches.
  28. (fol. 239) 'Cello-Sonate. Widerherstellung, verhunnter Stellen' {Cello sonata no. 1, D major, op. 10]. Fragments of cello part.
  29. (fol. 240) Miscellaneous pencil sketches, including fragments of 'Elfin Song' and 'Diaphenia'.
  30. (fols. 241-250) Drafts of various movements, mainly for piano.
  31. (fol. 252) 'Sonate' in C sharp minor, for violin and piano (fragments).
  32. (fol. 253) Fragmentary pencil sketches.
  33. (fols. 255-258) 'Symphonie in C-dur' [Symphony no. 1, C major], incomplete piano reduction of movts. 1 and 3.
  34. (fols. 259-260) 'Sonate für Klavier und Violine (C-moll) [altered from Cis-moll]. First movement (incomplete). The same work as at fol. 252 with key signature altered from four sharps to three flats.
  35. (fol. 261) 'Three fishers went sailing' (Ch. Kingsley). Song (fragment).
  36. (fol. 263) Short harmony exercise in pencil (the work of a pupil?).
  37. (fols. 264-270) 'Quintet for 2 violins, viola, 2 celli. Broadway, 5.9.[19]38'. Score (incomplete).
  38. (fols. 272-275) Three fugues for keyboard [by] 'Auguste [Heinrich?]'.
  39. (fol. 276) 'Babs'. Four-bar harmonisation of an ascending C major scale, in a juvenile hand, dated (in Sherwood's hand?) '20. October 1902'.
  40. (fol. 277) 'Song without words' in A flat major. 'Comp by E. Richter[?]' for piano. 'To Charlott Whittle with Auguste Heinrich's Love. London Dez. 1'.


  • 1871-1938, n.d.


297 Leaves


MS. Mus. b. 39

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Weston Library
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Oxford OX1 3BG United Kingdom