A collection of vocal music, mainly madrigals, early 17th cent. - mid-17th cent.
MS. Tenbury 1015: Madrigals and motets of Pomponio Nenna. Book 7, with English words, mid-17th cent. Score in the hand of George Jeffreys.
- (fol. 1) Let my heart then adore thee
- (fol. 1v) The sun one day beholding Oriana
- (fol. 2) I saw five purple roses
- (fol. 3) How then shall death deprive me?
- (fol. 3v) With hands sweetly embracing
- (fol. 4v) Happy torments, blessed wounds
- (fol. 5) Behold the star appeareth
- (fol. 6) Then Peter like an exile
- (fol. 6v) If, sweet Jesu, to pray thee
- (fol. 7v) Happy soul in thy bosom
- (fol. 8) Now death sadly attended
- (fol. 8v) Ay me, my son, sweet Jesu
- (fol. 9v) While sighs prayers and lamentings
- (fol. 10) O sweet Jesu my Saviour
- (fol. 11) Behold my soul, sweet Jesu
- (fol. 11v) His fair eyes on her fixed
- (fol. 12v) Fly not, sweet Jesu
MS. Tenbury 1016: Madrigals by Richard Dering for voices with basso continuo, early 17th cent. Score in the hand of George Jeffreys.
A 1 or 2 voci:
- (fol. 1v) O Donna troppo cruda a 2
- (fol. 2) Vergine bella che di a 1
- (fol. 2v) Donna mentre i' vi miro a 1
- (fol. 2v) Cosi dunque morire a 1
- (fol. 3) O miei giomi fugaci a 2
- (fol. 3v) O durezza di ferro a 2
- (fol. 4) Legasti anima mia a 2
A 3 voci con b.c.:
- (fol. 4v) T'amo mia vita
- (fol. 5v) Crudelissima doglia
- (fol. 6v) Alma d'amor rubella
- (fol. 7v) Ho visto 'al mio dolore
- (fol. 8v) Felice chi vi mira
- (fol. 9v) Che veggio ohimè che sento
- (fol. 10v) Al fonte, al prato
- (fol. 11v) Pargoletto 'e colei
- (fol. 12v) Lungi dal vostro lume
- (fol. 13v) Lasso ch'io moro
- (fol. 14v) O dolce mio martire
MS. Tenbury 1017: Two madrigals for 4 voices with basso continuo by Claudio Merula, early 17th cent. Score in the hand of Stephen Bing, with some text underlay in item 1 by George Jeffreys.
- Nominativus hic et hec et hoc
- Nominativo quis vel qui que quod
MS. Tenbury 1018: A collection of madrigals, motets and songs in score, early 17th cent. The initial words alone are given with the music in most cases.
- (fol. 1) Decantabat populus Israel. Anon. [A. Ferrabosco the Elder, C29]
- (fol. 2) Grave pena. Anon. [A. Ferrabosco the Elder, C156]
- (fol. 3) Cantabo dominum. Anon. [A. Ferrabosco the Elder, C18]
- fol. 4v) Dolce gueriere. Anon. [A. Ferrabosco the Elder, C154 and 155]
- (fol. 6) [Interdette speranze]. Anon. A. [Ferrabosco the Elder, C158]
- (fol. 7v) Charon, O Charon come away. R. Johnson
- (fol. 9v) This day our Saviour. Anon.
- (fol. 10) Leave into life the prison. Anon.
- (fol. 10) Che servi. Anon.
- (fol. 10v) Madre a I'amor. Anon.
- (fol. 10v) Vezzosette ninfe. Anon. [Gastoldi]
- (fol. 11) Zefiro spira. Anon.
- (fol. 11) Se ben mir h[a]i bon tempo. Anon.
- (fol. 11) Se ben vechio vita mia. Anon.
- (fol. 11v) Where wit is over-ruled. Anon.
- (fol. 12) From the temple to the board. Anon.
- (fol. 12) Shall I wasting in despair? Anon.
- (fol. 12v) An instrumental fragment. Anon.
- (fol. 13) Lamentatio Jeremiae. Anon. [A. Ferrabosco the Elder, C65]
- (fol. 16) Heu mihi. Anon. [A. Ferrabosco the Elder, C37]
- (fol. 17) Mirabile misterium. Anon. [A. Ferrabosco the Elder, C47]
- (fol. 19) Vias tuas Domine. Anon. [A. Ferrabosco the Elder, C25]
- (fol. 20) Peccantem me quotidie. Anon. [A. Ferrabosco the Elder, C52]
- (fol. 21v) Ad dominum cum tribularer. Anon. [A. Ferrabosco the Elder, C1]
- (fol. 23) Musica leta suum te gaudet. Anon. [A. Ferrabosco the Elder, C79]
- (fol. 24) Posuisti tenebras. Anon. [A. Ferrabosco the Elder, C14]
- (fol. 25v) In nomine (a 3). Anon. [A. Ferrabosco the Elder, C222]
- (fol. 27v) Si bona suscepimus. Anon. [Verdelot]
- (fol. 29v) An instrumental piece. Anon.
- (fol. 30) An instrumental piece. Anon.
- (fol. 30v) Flow my tears. John Dowland
- (fol. 31) Hear me O God. A. Ferrabosco
- (fol. 31v) Sharp Pavin for viols. A. Ferrabosco the Younger [VdGS 3]
- (fol. 32) [Fuerunt mihi lacrymae. A. Ferrabosco the Elder, C36]. (Unattributed, untitled and without underlay.)
- (fol. 32v) An instrumental piece. Anon.
- (fol. 33) Come home my troubled thoughts. A. Ferrabosco the Younger
- (fol. 33v) Se partendo da voi. Anon.
- (fol. 33v) Crud' Amarille. Anon.
- (fol. 34v) With what new thoughts. A. Ferrabosco the Younger
- (fol. 35) Moro mia vita. Giulio Romano
- (fol. 35) Udite lagrimosi spirti. A. Ferrabosco the Younger
- (fol. 35v) Eteri numi O come. A. Ferrabosco the Younger
- (fol. 35v) O crudel Amarille. A. Ferrabosco the Younger
- (fol. 36) Nay nay you must not stay. A. Ferrabosco the Younger
- (fol. 36v) Lacrimar sempre. A. Ferrabosco the Younger
- (fol. 36v) O what a fault. A. Ferrabosco the Younger
- (fol. 37) Senses by unjust force. Anon.
- (fol. 37) How near to good. A. Ferrabosco the Younger
- (fol. 37v) Gentle knights, know some measure. A. Ferrabosco the Younger
- (fol. 38) Dolcissimo sospiro. Giulio Romano
- (fol. 38v) Vedrô il mio sol. Anon.
- (fol. 38v) Amarilide mia diro mio suole. Anon.
- (fol. 39) Amarille mia bella. [Caccini]
- (fol. 39v) Dovro dunque morire. [Caccini]
- (fol. 39v) Parlo misero taccio. [Caccini]
- (fol. 40) Ahi dolente partita. Giulio Romano
- (fol. 40v) Virgine bella. Anon.
- (fol. 41) Parle ch'el mar. Giulio Romano
- (fol. 41) T'amo mia vita. Giulio Romano
- (fol. 41v) Ahi dolente partita. Giulio Romano
- (fol. 41v) Sfogava con le stelie. Giulio Romano
- (fol. 42) Donna leggiadre bella. Giulio Romano
- (fol. 42) De la porte d'oriente. Giulio Romano
- (fol. 42v) Deh com' in van chiedete. Giulio Romano
- (fol. 42v) Dispisgate[?] quanc' amate. Anon.
- (fol. 43) Hor che lungi da voi. Giulio Romano
- (fol. 43) Amor l'alli m'impenna. Giulio Romano
- (fol. 43v) Con la sua man. Anon.
- (fol. 44) Fille mirand' il cielo. Anon.
- (fol. 44v) Dearest love I do not go. Anon.
- (fol. 44v) Eyes look off theirs. Anon.
- (fol. 44v) Come drink with me. W. Byrd
- (fol. 45v) Se di far morire. Anon.
- (fol. 45v) Charon, oh Charon row thy boat. Anon.
- (fol. 46) Woo her and win her. Anon.
- (fol. 46v) Fain would I change my maiden life. Anon.
- (fol. 46v) An instrumental fragment. Anon.
- (fol. 47) Time, cruel time. Anon.
- (fol. 47v) In an arbour of green May. Anon.
- (fol. 47v) Tell me my dear. Anon.
- (fol. 47v) Non nobis Domine (a 3, no words). Anon.
- (fol. 48) Venus birds whose mournfull tunes. Anon.
- (fol. 48) If pleasures were not wasting. Anon.
- (fol. 48v) An instrumental fragment. Anon.
- (fol. 48v) An instrumental fragment. Anon.
MS. Tenbury 1019: A collection of songs with lute accompaniment in tablature, early 17th cent.
- (fol. 1) When love one time. Anon.
- (fol. 1) If floods of tears. Anon.
- (fol. 1v) Send home my long-strayed. J. Coprario
- (fol. 1v) Long annoys. Anon.
- (fol. 2) O eyes, O mortal stars. Anon.
- (fol. 2) Occhi nido d'amore. Giulio Romano
- (fol. 2v) Come shepherds, deck. Anon.
- (fol. 3) If the deep sighs. Anon.
- (fol. 3v) If pleasures were not wasting. Anon.
- (fol. 4) With silver sounds. Anon.
- (fol. 4v) How should a young man. Anon.
- (fol. 5v) Nothing on earth remains. Anon.
- (fol. 6v) Steer hither your winged prize. Anon.
- (fol. 6v) A fragment (melody only). Anon.
Dates
- Creation: early 17th cent. - mid-17th cent.
Extent
1 volume
Language of Materials
- English
Shelfmark
MSS. Tenbury 1015-1019
Bibliography
- For MSS. Tenbury 1015, 1016 and 1017, see: Jonathan P. Wainwright, ‘George Jeffreys' copies of Italian music’, Royal Musical Association Research Chronicle , 23 (1990), pp. 109–124.
Dimensions
15 x 11 7/8 inches obl.
Repository Details
Part of the Bodleian Libraries Repository
Weston Library
Broad Street
Oxford OX1 3BG United Kingdom
specialcollections.enquiries@bodleian.ox.ac.uk