Showing Collections: 21 - 40 of 87
Collection of Caroline music, containing religious and secular songs and dialogues, copied over a period of years
Single Item
Shelfmark: MS. Don. c. 57
Collection of Caroline music, containing religious and secular songs and dialogues, copied over a period of years, mid-17th century
Extents: 118 Leaves
Dates:
mid-17th century
Collection of In Nomines and anthems by 16th and 17th-century composers
Single Item
Shelfmark: MSS. Mus. Sch. d. 212-216
Collection of In Nomines and anthems by 16th and 17th-century composers, [c 1610-c 1625].
Extents: 1 box
Dates:
[c 1610-c 1625]
Collection of motets and other vocal music, mainly by Giovanni Battista Bassani and Giacomo Carissimi
Single Item
Shelfmark: MS. Mus. c. 590
Collection of motets and other vocal music, mainly by Giovanni Battista Bassani and Giacomo Carissimi. English copy in the hand of Sampson Estwick, [1690s].
Extents: 207 Leaves
Dates:
[1690s]
A composite volume of instrumental music
Single Item
Shelfmark: MS. Mus. Sch. c. 93
A composite volume of unrelated manuscript of instrumental music from the 2nd half of the 17th cent, including Italianate ensemble music from John Sherard's collection and organ music (partly autograph) by Thomas Tomkins.
Extents: 1 box
Dates:
2nd half of the 17th cent.
A composite volume of instrumental parts
Single Item
Shelfmark: MS. Mus. Sch. d. 261 (Former reference: Quarto B. 1-6)
A composite volume, containing various instrumental parts, some incomplete, late 17th/early 18th cent.
Extents: 1 box
Dates:
Late 17th/early 18th cent.
Consort music by Thomas Tomkins, Alfonso Ferrabosco II and others
Single Item
Shelfmark: MS. Mus. Sch. e. 415-418 (Former reference: Music School B. 4. 4-7)
Four part-books from a set of five, containing 5-part pavanes etc., by Thomas Tomkins, Alfonso Ferrabosco II and others, copied 1641-1642.
Extents: 4 items
Dates:
1641-1642
Consort music for strings
Collection
Part-books of consort music for strings in three and four parts by Charles Coleman, Richard Cooke and William Lawes; and (volumes reversed) anonymous lute and lyra viol consort music, two anonymous lute solos, and lute consort music by J. Birchensha, mid-17th cent.
Extents: 2 boxes (0.22 linear metres)
Dates:
mid-17th cent.
Consort music in three and four parts
Collection
Four part-books containing consort music in three and four parts, given to Edward Lowe by Theodore Colby and copied by an anonymous scribe, Matthew Hutton and Lowe himself, late 17th cent.
Extents: 0.12 Linear metres (4 boxes)
Dates:
late 17th cent.
A copy of Christopher Simpson's Chelys, 2nd ed. (1667), with additional music in manuscript
Single Item
Shelfmark: MS. Mus. Sch. c. 71
A copy of Christopher Simpson's Chelys, 2nd ed. (1667), with additional music in manuscript, Mar 1672-Sep 1678, n.d.
Extents: 1 volume
Dates:
Mar 1672-Sep 1678, n.d.
Divisions and dance tunes with a copy of Christopher Simpson's The Division-Violist (London, 1659)
Single Item
Shelfmark: [Vet.] Mus. 184 c.8
Divisions and dance tunes with a copy of Christopher Simpson's The Division-Violist (London, 1659), mid-17th - mid-18th cent.
Extents: 48 Leaves
Dates:
mid-17th - mid-18th cent.
Edward Lowe's 'New Consort Books'
Collection
Edward Lowe's 'New Consort Books', late 17th cent.
Extents: 0.33 Linear metres (3 boxes)
Dates:
late 17th cent.
Edward Lowe's set of 'Latine and English Songs... by the best Italian and English Authors'
Collection
Lowe's set of 'Latine & English Songs... by the best Italian and English Authors', 2nd half of 17th cent.
Extents: 0.88 Linear metres (8 physical shelfmarks)
Dates:
2nd half of 17th cent.
Fancies and divisions for viols by English composers
Single Item
Shelfmark: MSS. Mus. Sch. c. 59-60 (Former reference: Music School B. 6. 37-38)
Fancies and divisions for two bass viols and (nos. 39-42) for treble and bass viols, 2nd half of 17th cent.
Extents: 1 box (2 volumes)
Dates:
2nd half of 17th cent.
Fantasia-Air suites for two trebles and bass to the organ by John Jenkins
Single Item
Shelfmark: MSS. Mus. Sch. f. 564-567 (Former reference: Music School B. 4. 33[-36])
John Jenkins: Three-part Fantasia-Air suites for two trebles and bass to the organ, probably copied in or after the third quarter of the 17th cent.
Extents: 1 box
Dates:
late 17th cent.
Fantasias and in-nomines for strings
Collection
Six part-books containing fantasias and in-nomines for strings, c 1641.
Extents: 2 boxes
Dates:
c 1641
Fantasies for strings in 3, 4, 5 and 6 parts
Single Item
Shelfmark: MSS. Mus. Sch. e. 437-442 (Former reference: Music School A. 3. 7-12)
Fantasies for strings in 3, 4, 5 and 6 parts, copied mid-17th cent.
Extents: 1 box
Dates:
mid-17th cent.
Fantazia suites by Christopher Gibbons and Pavane suites by Thomas Baltzar
Single Item
Shelfmark: MS. Mus. Sch. c. 102a-b
Fantazia suites by Christopher Gibbons and Pavane suites by Thomas Baltazar, all for 2 violins and a bass with organ, 1659, 1662, n.d.
Extents: 1 box
Dates:
1659, 1662, n.d.
Four duos for viola da gamba by Peter Greck
Single Item
Shelfmark: MS. Mus. Sch. d. 253
Four viola da gamba duos by 'Peter Greck', [c 1700].
Extents: 1 box
Dates:
[c 1700]
Four part-books from a set originally consisting of six, containing a collection of vocal and instrumental music
Single Item
Shelfmark: MSS. Mus. Sch. d. 233-236
Four part-books from a set originally consisting of six, prepared probably well before 1636 for a collection of vocal music, with more vocal and instrumental consort music added later by Edward Lowe.
Extents: 4 Volumes
Dates:
Early-mid 17th cent.
Fragment from a work on musical theory concerning composition for four voices
Single Item
Shelfmark: MS. Mus. c. 60, fols. 106-110
Fragment from a work on musical theory concerning composition for four voices, 2nd half of 17th cent.
Extents: 5 Leaves
Dates:
1650-1700?