Showing Collections: 21 - 40 of 85
Collection of Latin sacred music of the 16th-18th cent., copied by Rev. Charles Hayward
Single Item
Shelfmark: MS. Mus. d. 293
Latin sacred music of the 16th-18th cent., copied in score by Rev. Charles Hayward, c 1800.
Extents: 188 pages
Dates:
c 1800
Collection of mostly sacred 18th-century vocal music
Single Item
Shelfmark: MS. Mus. c. 592
Collection of predominantly sacred 18th-century vocal music, mostly copied from printed editions in the mid-19th century.
Extents: 83 Leaves
Dates:
mid-19th cent.
Collection of motets and other vocal music, mainly by Giovanni Battista Bassani and Giacomo Carissimi
Single Item
Shelfmark: MS. Mus. c. 590
Collection of motets and other vocal music, mainly by Giovanni Battista Bassani and Giacomo Carissimi. English copy in the hand of Sampson Estwick, [1690s].
Extents: 207 Leaves
Dates:
[1690s]
Collection of motets, cantatas and madrigals by Italian composers, collected by the younger Richard Goodson
Single Item
Shelfmark: MS. Mus. Sch. c. 9
Collection of motets, cantatas and madrigals by Italian composers, collected by the younger Richard Goodson, [1720s-1730s].
Extents: 312 pages
Dates:
[1720s-1730s]
Collection of music used at the church of St Johann Nepomuk in Vienna
Collection
A collection of vocal music (mainly in manuscript set of parts) performed at the church of St Johann Nepomuk in Vienna from the beginning of the 19th to the middle of the 20th century.
Extents: 3.0 Linear metres (26 boxes)
Dates:
1810-1961
Collection of vocal and instrumental music, inscribed 'Contratenor. I.P.'
Single Item
Shelfmark: MS. Mus. Sch. e. 423
A single partbook containing vocal and instrumental music for various voice-parts (mostly Contratenor). First and third sequences contain works for 6 voices; the second only 5-voice works. Copied by several scribes. Some pieces have text incipits or titles only. Of English origin with possible connections with Sir John Petre (1549-1613), of Ingatestone, Essex, [c 1575-1586].
Extents: 1 box
Dates:
c 1575-1586
[Dr. Robert] Creighton's Morning and Evening Services in E flat, in score
Single Item
Shelfmark: MS. Mus. d. 175
[Dr. Robert] Creighton's Morning and Evening Services in E flat, in score, late 18th cent.
Extents: 24 Leaves
Dates:
late 18th cent.
Dr William Croft: Verse anthem for 3 voices, A.T.B. and chorus S.A.T.B. 'O Lord thou hast searched'
Single Item
Shelfmark: MS. Mus. c. 399
Dr William Croft: 'O Lord thou hast searched me out', verse anthem for 3 solo voices, A.T.B. and chorus S.A.T.B. Words from Psalm 139.
Extents: 12 Leaves
Dates:
31 May 1720
Edmund Rubbra: 'The revival. Motet. Op. 58'
Single Item
Shelfmark: MS. Mus. c. 568
Autograph score of Edmund Rubbra's 'The revival', motet for unaccompanied SATB chorus, to words by Henry Vaughan, op. 58, 17 Aug 1944.
Extents: 12 pages
Dates:
17 Aug 1944
Edward Lowe's set of 'Latine and English Songs... by the best Italian and English Authors'
Collection
Lowe's set of 'Latine & English Songs... by the best Italian and English Authors', 2nd half of 17th cent.
Extents: 0.88 Linear metres (8 physical shelfmarks)
Dates:
2nd half of 17th cent.
Felix Mendelssohn Bartholdy: Op. 31, verses from Psalm CXIII [sic. Psalm 115]
Single Item
Shelfmark: MS. Mus. d. 223
Op. 31, verses from Psalm CXIII [sic] set to music by F. Mendelssohn Bartholdy, early 19th cent.
Extents: 43 Leaves
Dates:
early 19th cent.
Frederick R. Greenish: choral compositions
Collection
Choral compositions by Frederick R. Greenish, 1883-1888, n.d.
Extents: 0.33 Linear metres (3 boxes)
Dates:
1883-1888, n.d.
Full score of Handel's Chandos Anthems, nos. 4 and 5
Single Item
Shelfmark: MS. Mus. Sch. b. 1
Full score of Handel's Chandos Anthems, nos. 4 and 5, copied by the younger Richard Goodson, [1700s-1730s].
Extents: 1 box
Dates:
mid-18th cent.
Giovanni Pierluigi da Palestrina: 1st book of motets for 4 voices (Rome, 1563)
Single Item
Shelfmark: MS. Mus. d. 287
Giovanni Pierluigi da Palestrina (1525/5-1594): 1st book of motets for 4 voices (Rome, 1563), scored up by Giovanni Maria Casini and copied by Cosimo Scuffi, late 17th or early 18th cent.
Extents: 346 pages
Dates:
late 17th or early 18th-cent.
Giovanni Pierluigi da Palestrina: Three sacred works in English copies
Single Item
Shelfmark: MS. Mus. b. 384
Three sacred works by Giovanni Pierluigi da Palestrina in English copies, c 1840.
Extents: 61 Leaves
Dates:
c 1840
'The Grand Chant for the 67th Psalm [by] Pelham Humphry [Humfrey]', orchestrated by Sir George T. Smart for the wedding of the Princess Royal and Frederick William of Prussia
Single Item
Shelfmark: MS. Mus. b. 15, fol. 109
Sir George Smart's autograph full score of the orchestral accompaniment for the Gloria to Psalm 67, to a chant in D major by Pelham Humfrey, [1858].
Extents: 1 leaf
Dates:
[1858]
Harold Edwin Darke: 'Motet, Blessed is the man that endureth temptation. For four-part chorus' (SATB unaccompanied)
Single Item
Shelfmark: MS. Mus. c. 596
Autograph score of Harold Edwin Darke's 'Blessed is the man that endureth temptation', for unaccompanied SATB chorus, 6-8 Sep 1916.
Extents: 16 pages
Dates:
6-8 Sep 1916
Herbert Norman Howells: 'Haec dies', motet for SSATB
Single Item
Shelfmark: MS. Mus. c. 436
Herbert Norman Howells: 'Haec dies', motet for SSATB, [1918].
Extents: 6 Leaves
Dates:
[1918]
Incomplete part-book of church music, belonging to a set probably used in the province of York
Single Item
Shelfmark: MS. Eng. Liturg. c. 4
Incomplete part-book of church music, belonging to a set probably used in the province of York, late 17th-early 18th cent.
Extents: 180 pages
Dates:
late 17th-early 18th cent.
Johann Sebastian Bach, Matthäuspassion (BWV 244) chorus parts
Single Item
Shelfmark: MS. Mus. d. 210
Eight separate chorus parts (soprano, alto, tenor and bass of Coro I and Coro II), all in the same German hand of the early 19th century, of J. S. Bach's St Matthew's Passion.
Extents: 120 Leaves
Dates:
said to have been performed in Berlin, 11 March 1829