Showing Collections: 121 - 140 of 172
Miscellaneous original papers
Collection
Miscellaneous original papers
Extents: 0.22 Linear metres (2 boxes)
Dates:
Written in 1553-1807
'The Months', 12 fantasias by Christopher Simpson
Single Item
Shelfmark: MS. Mus. Sch. c. 58
'The Months', 12 fantasias for treble viol, two bass viols and organ, by Christopher Simpson, Oct 1669.
Extents: 1 volume
Dates:
Oct 1669
Movements from consort suites by Christopher Gibbons
Single Item
Shelfmark: MS. Mus. Sch. c. 53
Christopher Gibbons: movements from consort suites in D minor, for two trebles and bass with organ, [c 1660-1670].
Extents: 1 box
Dates:
[c 1660-1670]
'Mr. Sylvanus Taylor's Ayres, for two Trebles & a Base'
Single Item
Shelfmark: MS. Mus. Sch. e. 429 (Former reference: Lowe's no. 19; Music School B. 4. 34)
'Mr. Sylvanus Taylor's Ayres, for two Trebles & a Base', between 1650 and 1682.
Extents: 1 volume
Dates:
between 1650 and 1682
Music bequeathed by T. W. Bourne
Collection
Collection of mostly 18th-century manuscript music bequeathed by the pioneering Handel scholar, Thomas William Bourne (1862-1948), 1601-1902.
Extents: 2.20 Linear metres (20 boxes)
Dates:
1601-1902
Music-book with compositions for voice and lute at one end and keyboard music by Orlando Gibbons and music for lyra viol at the other
Single Item
Shelfmark: MS. Mus. Sch. f. 575 (Former shelfmark: Music School B. 3. 1)
Music-book with compositions for voice and lute at one end and music by Orlando Gibbons and music for lyra viol at the other, mid-17th cent.
Extents: 1 box
Dates:
mid-17th cent.
Music collected during the eighteenth and early nineteenth centuries by the Blount family at Mapledurham
Collection
Music collected during the eighteenth and early nineteenth centuries by the Blount family at Mapledurham, late 17th-early 19th cent., n.d.
Extents: 17 boxes (0.85 linear metres)
Dates:
late 17th-early 19th cent., n.d.
Music copied by Edward Lowe over a long period
Single Item
Shelfmark: MS. Mus. Sch. e. 451 (Former reference: Music School A. 3. 29)
Music copied by Edward Lowe, c 1636-1682.
Extents: 1 box
Dates:
c 1636-1682
Music for two violins with other instruments
Single Item
Shelfmark: MS. Mus. Sch. c. 70 (Former shelfmark: Music School A. 5. 7)
Music for two violins with other instruments, early 18th cent?
Extents: 1 box
Dates:
early 18th cent?
Music of Benjamin Hely for two bass viols and continuo
Collection
Music of Benjamin Hely for two bass viols and continuo, with some music by Marin Marais, late 17th-early 18th cent.
Extents: 0.33 Linear metres (3 physical shelfmarks)
Dates:
late 17th-early 18th cent.
Musical collections of Harry Ellis Wooldridge
Collection
A collection of music, including transcripts mainly of 17th and 18th-century Italian music, nearly all from sources in the British Museum.
Extents: 3.74 Linear metres (34 boxes)
Dates:
1870-1906, n.d.
'New Bookes for vocall'
Single Item
Shelfmark: MSS. Mus. Sch. c. 20-23
'New Bookes for vocall'. Eight 3-part motets copied by E. Lowe, [1680].
Extents: 1 box
Dates:
[1680]
New College, Oxford. Chapel Choir Books
Collection
New College, Oxford. Chapel Choir Books. Incomplete sets and isolated members of part-books which were in use from the early 17th cent. up to the middle of the 19th cent. and probably later.
Extents: 3.41 Linear metres (31 boxes)
Dates:
mostly 17th and 18th centuries
Notes by Andrew Clark, 1911, on his collection of twenty-four manuscript and printed fragments removed from the bindings of volumes bound in Oxford temp. James I
Single Item
Shelfmark: MS. Lat. misc. d. 78
Notes by Andrew Clark, 1911, on his collection of twenty-four manuscript and printed fragments removed from the bindings of volumes bound in Oxford temp. James I.
Extents: 69 Leaves
Dates:
1911
Oxford University miscellanies
Single Item
Shelfmark: MS. Add. A. 368
Oxford University miscellanies, made up of three MSS. chiefly written in the second half of the 17th century.
Extents: 68 Leaves
Dates:
made up of three MSS. chiefly written in the second half of the 17th century
Papers of G. E. P. Arkwright, mainly transcriptions of 16th and 17th-century music
Collection
Papers of G. E. P. Arkwright, mainly transcriptions of 16th and 17th-century music, 1892-1940, n.d.
Extents: 14 boxes (1.54 linear metres)
Dates:
1892-1940, n.d.
Photograph of a holograph copy of Thomas Weelkes's madrigal 'Grace my lovely one', signed by the composer and entitled 'Sir Frances Steward, his Canzonett'
Single Item
Shelfmark: MS. Mus. c. 60, fol. 3
Photograph of a holograph copy of Thomas Weelkes's madrigal 'Grace my lovely one' signed by the composer and entitled 'Sir Frances Steward, his Canzonett'. Quintus part only, n.d.
Extents: 1 leaf
Dates:
Published 1889
Pier Francesco Cavalli: 'Il Giasone', opera in a prologue and 3 acts
Collection
Full score of 'Il Giasone', opera in a prologue and 3 acts by Pier Francesco Cavalli to a libretto by Giacinto Andrea Cicognini, late 17th cent.
Extents: 0.45 Linear metres (3 volumes)
Dates:
late 17th cent.
Pietro Francesco Cavalli: L'Égisto, opera in a prologue and 3 acts
Single Item
Shelfmark: MS. Mus. c. 587
'L'Égisto', opera by Pier Francesco Cavalli, transcribed by Egon Wellesz and Paul Pisk in 1908.
Extents: 180 pages
Dates:
1908
Pocket part-books of music composed by Valentine Oldis
Single Item
Shelfmark: MS. Mus. Sch. g. 612a-d (Former reference: Music School B. 3. 12)
44 short pieces for viols in three or four parts by Valentine Oldis, 1659, 1674, n.d.
Extents: 1 box (4 volumes)
Dates:
1659, 1674, n.d.