Skip to main content

Development images, c. 1983-1985

 File
MS. Tom Phillips 133
Held in our offsite storage facility

  • Request
    this

Prints, transparencies, sketches, watercolours etc. from Dante's Inferno, mainly the Talfourd Press edition:
  1. Line drawing, frontispiece for Talfourd Press edition
  2. Line image, frontispiece for the Talfourd Press edition; image angled differently to final piece
  3. Debossed image, frontispiece for Talfourd press edition
  4. Embossed image of face, possible study for Canto 21, 1; for the Talfourd Press editon
  5. Line image on transluscent paper [unable to find a reference to this study in the final prints]
  6. A study for half-title: INFERNO; red print on watercolour paper, Talfourd Press edition. Image numbered 6/6
  7. A study for half-title: INFERNO; monochrome print on 250gsm paper as used for Talfourd Press edition
  8. A study for half-title: INFERNO; monochrome print on 250gsm paper as used for Talfourd Press edition
  9. A study for half-title: INFERNO; line print on 250gsm paper as used for Talfourd Press edition
  10. A study for half-title: INFERNO; blue print on 250 gsm paper as used for Talfourd Press edition
  11. A study for half-title: INFERNO; black and white print on 250 gsm paper as used for Talfourd Press edition
  12. A study for half-title: INFERNO; black and white print on 250 gsm paper as used for Talfourd Press edition
  13. Canto 18,image 3; motorway traffic, black and white photocopy; reference image for background, Talfourd Press edition; image labelled 'for Archive/Inferno'
  14. Canto 4, image 4, and Canto 13, image 4; greyhound in movement, black and white photographic reference image, Talfourd Press edition
  15. Image of a star, printed in black on acetate sheet
  16. Canto 22, image 4; black and white study in pen on board for lower half of final print, for Talfourd Press edition, image labelled '1/4 size negative only'
  17. Canto 4, image 4, and Canto 13, image 4; greyhound in movement, black and white photographic reference image, Talfourd Press edition
  18. Canto 19, image 4; cross keys and a French newspaper clipping, reference image, in Talfourd Press edition
  19. Canto 5, image 3; coloured page from magazine, reference material, in Talfourd Press Edition
  20. Black and white photographic image of a man riding a horse; possible reference image for Canto 12, image 3, in Talfourd Press edition
  21. Black and white photographic image of a man riding a horse with red paint spatter; possible reference image for Canto 12, image 3, in Talfourd Press edition
  22. Black and white photographic image of man riding a horse; possible reference image for Canto 12, image 3, in Talfourd Press edition
  23. A study for Canto 2, image 2, Canto 8, image 1, and Canto 26, image 1; Fleur de Lis drawing in pen, in frame; tracing paper, for Talfourd Press edition
  24. Canto 4, image 4, and Canto 13, image 4; greyhounds in movement, two A4 black and white photocopies, used as reference material, in Talfourd Press edition
  25. Canto 16, image 2 and Canto 24, image 4; line drawing, A2 tracing paper, for Talfourd Press edition
  26. Photograph of the appearance of diatoms under a microscope, mounted on light blue card; reference image for Canto 3, image 1, and other African mask images, in Talfourd Press edition
  27. Collage of 10 images of the sea taken from magazine(s), glued onto white card; image labelled 'blow up X 3 1/2 / 4. Canto XII frontispiece'
  28. Latin script, handwritten, on card
  29. A study for Canto 2, image 4; black and white print of Latin writing, on 250gsm paper as used for Talfourd Press edition
  30. Latin script, handwritten, on card. Text labelled 'VIII- 142'
  31. Latin script, handwritten, on card. Text labelled 'reduce to 2 3/8', 'XV 87-end'
  32. Latin script, handwritten, on card. Text labelled 'VIII- 142'
  33. Two pieces of Latin script, handwritten, on card. Sellotaped together. Text labelled 'XII 96-end' and 'Litho Pos'. The item is water damaged
  34. Canto 26, image 2; variant print with Latin writing in top left corner
  35. A study for Canto 2, image 4; image labelled 'Inferno, Canto 2 last page 115-142' and 'place size 8 1/2" x 12 1/4"', for Talfourd Press edition
  36. A study for Canto 2, image 4; black and white photocopy, for Talfourd Press edition
  37. Two copies of Latin text for Canto 5, image 2; stanzas 1-24, printed on 250gsm paper as used for Talfourd Press edition
  38. A study for Canto 2, image 4; Latin text, text labelled 'RK burt mould made', for Talfourd Press edition
  39. Three copies of Latin text for Canto 5, image 2; stanzas 1-24, printed on 250gsm paper as used for Talfourd Press edition
  40. Latin script, handwritten, on card; text labelled 'XV(54-87)'
  41. Latin script, handwritten, on paper; text labelled 'Canto 2, 115-142'
  42. Latin script, handwritten, on card; text labelled 'XVI 106-end' and '3" positive'
  43. Latin script, handwritten, on card; text labelled 'XVII 79-136'
  44. Latin script, handwritten, on card; originally attached to above text with sellotape
  45. Latin script, handwritten, on card
  46. Latin script, handwritten, on card; originally attached to the above text with sellotape; text labelled 'XIII 28-78'
  47. Latin script, handwritten, on card; text labelled 'XIII 109-end'
  48. Latin script, handwritten, on card; originally attached to the above text with sellotape
  49. Latin script, handwritten, on card; text labelled '2 1/2"' and 'XIX 45-87'
  50. Latin script, handwritten, on card; text labelled 'XVIII. 43-78' and 'reduce to 2 1/2"'
  51. Latin script, handwritten, on card; text labelled 'reduce to this' and 'XIII 1-39'
  52. Latin script, handwritten, on paper; text labelled 'Canto VI, 40-72'
  53. Latin script, handwritten, on card; text labelled 'IV/ 129-151'
  54. Latin script, handwritten, on card
  55. Latin script, handwritten, on card; originally attached to above text with sellotape; text labelled '2 1/2"'
  56. Latin script, handwritten, on card; text labelled VII 4-87
  57. Latin script, handritten, on card; text labelled VII '88-130'
  58. A study for Canto 13, image 4; original art, mixed media collage (printed images, book page, paint)
  59. A study for Canto 17, image 2; original art, mixed media collage (pen, pencil, book page, paint); image labelled 'XVII 43-78'
  60. A study for Canto 16, image 1; original art, mixed media collage (pencil, watercolour, book page); image labelled 'Canto XVI. 3.'
  61. A study for Canto 11, image 4; original art, mixed media collage (pencil, book page)
  62. Original art, mixed media collage (watercolour, pen, pencil, book page); image labelled 'Frontispiece XXVI'
  63. A study for Canto 27, image 4; original art, mixed media (pencil crayon, pencil, book page)
  64. Page of book; page titled 'A Human Document,' page numbered 114; painted over in order to highlight certain words, mounted onto white card
  65. A study for Canto 18, image 2; original art, mixed media collage (book page, red pen), image labelled 'XV 1-39'
  66. Pages of book; pages titles 'A Human Document', pages numbered 227, 363, and 31; annotated and glued onto white card
  67. Page of book, page titled 'A Human Document', page numbered 353; painted over in order to highlight certain words, mounted onto white card; labelled 'Canto XIX right hand page (same sheet as 3 crosses)'
  68. A study for Canto 16, image 3; original art, mixed media collage (photographic image, paint, pencil, book page); image labelled 'XVI 106 to the end'
  69. A study for Canto 7, image 4; original art, mixed media collage (book page, paint, pen, pencil); image labelled 'canto VII 48-130'
  70. Pages of book, annotated; mounted onto scrap of white card
  71. Pages of book; pages titles 'A Human Document', pages numbered 76; mounted onto scrap of white card
  72. A study for Canto 2, image 4; original art, mixed media collage (book page, pen, pencil); image labelled 'Inferno, canto 2, last page 115-142'
  73. A study for Canto 18, image 4; original art, mixed media collage (book page, paint, watercolour, pencil)
  74. A study for Canto 4, image 2; original art, mixed media colage (watercolour, book page, pen); image labelled 'head of Homer IV, 129-151'
  75. Page of book, page titled 'A Human Document', page numbered 170; painted over in order to highlight certain words, mounted on white card
  76. Page of book; page titled 'A Human Document', page numbered 271; annotated in pen, mounted on white card
  77. A study for Canto 4, image 3; monochrome prints of Native American man's head, mounted on board
  78. A study of man's face; coloured print, mounted on board
  79. A study of a man's face; two red prints, mounted on board
  80. A study of a man's face; coloured print over grid
  81. A study of a man's face; coloured print; image dated 7 Aug 1977
  82. A study of a man's face; coloured print; image dated 10 Aug 1977
  83. A study of a man's face; coloured print; image dated 4 Jun 1977
  84. A study of a man's face; coloured print
  85. A study of a man's face; coloured print
  86. A study of a man's face; coloured print; image dated 7 Aug 1977
  87. A study of a man's face; coloured print
  88. A study of a man's face; coloured print over grid; image dated 10 Aug 1977
  89. A study for Canto 4, image 3; Coloured print over grid of Native American man's head
  90. A study of a man's face; coloured print
  91. A study for Canto 8, image 2; print of lighted head in profile against a green background
  92. A study of faces; three images; 2: Native American man's face; 3: coloured print of Native American man's face (bottom right section cut out from the card)
  93. A study of faces; four coloured prints on green construction paper; possible references for Canto 4, image 3
  94. A study of faces; four coloured prints on rough white card; possible references for Canto 4, image 3
  95. Culmination of studies of faces; coloured prints overlapping on white card
  96. Culmination of studies of faces; coloured prints overlapping on white card
  97. A study of faces; four colour prints; 1: dated 4 Jun 1977, 4: dated 10 Aug 1977
  98. Culmination of studies of faces; coloured prints overlapping on white card
  99. A study of faces; four coloured prints; 2: dated 10 Aug 1977, 4: dated 7 Aug 1977
  100. A study of a face; coloured print, silver overlay; dated 5 Oct 1977
  101. A study of faces; four coloured prints, all printed over pink backgrounds; 2: dated as 5 Oct 1977, 3: Native American man's face used in Canto 4, image 3
  102. A study of faces; four coloured prints; 1: dated as 4 Jun 1977
  103. A study of faces; four coloured prints; 2: dated as 10 Aug 1977, overlaid with gold; 3: overlaid with gold; 4: dated as 7 Aug 1977
  104. A study of faces; four coloured prints, all printed over grey backgrounds; 4: dated as 10 Aug 1977
  105. A study of faces; four coloured prints, all printed within circles; 1: dated as 4 Jun 1977; 4: dated as 10 Aug 1977
  106. A study of faces; four coloured prints, Latin script in centre, handwritten in black ink
  107. A study of faces; four pink prints
  108. A study of faces; four purple prints
  109. A study of faces; four coloured prints; 1: dated as 4 Jun 1977; 4: dated as 10 Aug 1977
  110. A study of faces; four coloured prints; 2, 3,4: Native American faces
  111. A study of faces; four grey prints; 2,3,4: Native American faces
  112. A study of faces; three coloured prints; 3: dated as 10 Aug 1977
  113. A study of faces; three coloured prints; 3: dated 10 Aug 1977
  114. A study of faces; four coloured prints; 2: dated 10 Aug 1977; 3: Native American man; 4: dated 7 Aug 1977
  115. A study of faces; four coloured prints; 2: dated 10 Aug 1977; 3: Native American man; 4: dated 7 Aug 1977
  116. A study of faces; three coloured prints; 3: dated as 10 Aug 1977
  117. A study of faces; four prints; 2, 3, 4: Native American faces
  118. Culmination of studies of faces; coloured prints, overlaid with gold, overlapping on white card
  119. A study of faces; four prints on lime backgrounds; 2, 3, 4: Native American faces
  120. A study of faces; five coloured prints
  121. A study of faces; two coloured prints; 2: dated as 10 Aug 1977. (a circle has been cut from the card)
  122. A study of faces; two coloured prints encircled by black watercolour/ink. (two circles have been cut from the card)
  123. A study of faces; four coloured prints; 4: dated 23 May 1977
  124. A study of faces; three monochrome prints; 2: dated 5 Oct 1977 (bottom left corner of card has been torn out)
  125. A study of faces; three coloured prints; 2: Native American face encircled by black watercolour/ink (a circle has been cut from the card)
  126. A study of faces; four coloured prints; 2, 3, 4: Native American faces
  127. A study of faces; four coloured prints on pink backgrounds; 2, 3, 4: Native American faces
  128. A study of faces; four coloured prints; 2, 3, 4: Native American faces
  129. A study of faces; four coloured prints on lime backgrounds; 2, 3, 4: Native American faces
  130. A study of faces; four grey prints; 2, 3, 4: Native American faces
  131. A study of faces; four coloured prints 2, 3, 4: Native American faces
  132. A study of faces; four grey prints; 2, 3, 4: Native American faces
  133. A study of faces; four grey prints on light yellow card; two-tone (green and red) print of face overlaid over grey prints; image dated 10 Aug 1977
  134. Culmination of studies of faces; coloured prints overlapping on white card
  135. A study of faces; four coloured prints on purple backgrounds
  136. A study of faces; three coloured prints; 3: dated 10 Aug 1977
  137. A study of faces; three coloured prints; 3: dated 10 Aug 1977
  138. A study of faces; four pink prints
  139. A study of faces; 1: pink background; 2, 3, 4: Native American faces, grey backgrounds

Dates

  • Creation: c. 1983-1985

Extent

1 box

Language of Materials

  • English

Shelfmark

MS. Tom Phillips 133

Powered by ArchivesSpace | Accessibility | Privacy Policy | Terms of use | New additions | Contact us